The scenography of TUNSTATE, developed in close dialogue with its artist Aslı Çavuşoğlu, is structured around the expressive use of paper tubes — a fully recyclable material more often confined to packaging. In this context, the tubes step into prominence, shaping both the supportive framework and the spatial rhythm of the exhibition, while extending onto the façade to enlarge its architectural reach.
Assembled on-site with the pragmatic logic of scaffolding, these light yet durable elements enabled a construction method that is provisional, adaptive, and precise — amplifying the exhibition’s reflection on precarity, resilience, and temporality. Within Bursa’s industrial fabric, where such tubes usually circulate as auxiliary components of the textile and paper industries, their recontextualization takes on a poetic charge: a gesture toward cyclicality that echoes TunState’s meditation on fragile architectures of transformation and renewal.